[If he makes it up, she's pacing and flicking her fingers and even though she looks impeccable, her heels are clicking with more agitation than usual. Well, something's clicking, anyway]
[What people don't get, Brian always thinks, is that it's a matter of compulsion. He doesn't kill because he enjoys it (though he does;) it's a matter of necessity, and when necessity builds past the breaking point that thin veneer of civility gets hard to maintain.
So he's not disturbed by her restlessness, only determined not to catch it himself.]
Room for one more?
[He can sympathize, as well as ever he does; he'd be annoyed, too, if his home had become a safe harbor for the City's scared and huddled masses.]
[He takes it in stride, how unnatural she is; but sometimes it makes him wonder. Mostly, he likes it. There's something oddly arousing about how close to the surface her coldness is.]
Close quarters. The noise. Strangers being where they shouldn't. [Another little step, a slight note of humor.] The necessity of good behavior?
[His other hand slips to her waist, sliding along the curves of her body. As familiar as she's become he always looks at her with an artist's eye, appreciating the length of her limbs, the strange way she moves. He speaks rather absently.]
[The question isn't simple prurience. He could say the same for women, and wonders if it's the same reason. He wouldn't try to kill her, but sex and murder are tangled between them all the same. It's a large part of the appeal.]
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Private; unhackable
I want them to go away.
Private; unhackable
Care to spend a few nights out?
Private; unhackable
I can't leave.
Private; unhackable
I'll come over.
Private; unhackable
Private; unhackable
Private; unhackable
Private; unhackable
[He knows a fit of crazy when he hears it, after all; he's on his way.]
Private; unhackable
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So he's not disturbed by her restlessness, only determined not to catch it himself.]
Room for one more?
[He can sympathize, as well as ever he does; he'd be annoyed, too, if his home had become a safe harbor for the City's scared and huddled masses.]
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They're all imperfect. Every.
Single.
One.
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[After all, the cover of a harpy attack would be a good time to get away with murder. He takes a step closer, slow but not in the least uncertain.]
Forget them a while.
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You know why I am upset.
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Close quarters. The noise. Strangers being where they shouldn't. [Another little step, a slight note of humor.] The necessity of good behavior?
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Too much good behavior.
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Silence.
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Sometimes I think you're like me.
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Aren't I?
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You are the most like me.
[Her hands slip to hover over his face]
I do not meet many men like you.
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There aren't many like me.
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Most men can only have sex with me once.
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[The question isn't simple prurience. He could say the same for women, and wonders if it's the same reason. He wouldn't try to kill her, but sex and murder are tangled between them all the same. It's a large part of the appeal.]
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